Lose You To Love You MP3 Download BEST
Alyssa Bailey is the senior news and strategy editor at ELLE.com, where she oversees coverage of celebrities and royals (particularly Meghan Markle and Kate Middleton). She previously held positions at InStyle and Cosmopolitan. When she's not working, she loves running around Central Park, making people take #ootd pics of her, and exploring New York City.
Lose You To Love You MP3 Download
Chocolate City Releases Love and Chocolate Vol 2 Compilation. Stream and Play Now Chocolate City Releases Love and Chocolate Vol. 2 Playlist Compilation. This playlist holds in its grasp the memories of how Love was from the early days of Chocolate City artists to now. It's a playlist that people can listen to while enjoying each other's lovely company.
The idea for the song came to Reid while reading an article about a man arrested for getting drunk and shooting at his girlfriend's car. The judge asked him if he had learned anything, to which he replied, "I learned, Your Honor, that you can't make a woman love you if she don't." Raitt recorded the vocal in just one take in the studio, later saying that it was so sad a song that she could not recapture the emotion: "We'd try to do it again and I just said, 'You know, this ain't going to happen.'"
I mean, 'I Can't Make You Love Me' is no picnic. I love that song, so does the audience. So it's almost a sacred moment when you share that, that depth of pain with your audience. Because they get really quiet, and I have to summon ... some other place in order to honor that space.
After the release of his second studio album, Listen Without Prejudice Vol. 1 (1990), George Michael started a legal battle with his label, Sony Music, declaring his contract was financially inequitable and creatively stifling. Michael sued Sony to end his contract, leading to a long and costly legal battle that ended in 1995, with Michael signing to the newly launched Dreamworks Records label in the United States and Virgin in the rest of the world. In 1995, the singer released the song "Jesus to a Child", which became a huge hit worldwide, followed by "Fastlove" and "Spinning the Wheel", which also became successful songs from his third studio album, Older (1996).
After releasing their second cover album in 2007, Motown: A Journey Through Hitsville USA, which was well received by critics, but failed to produce a successful single, the band announced plans for a new cover album, that features cover versions of songs by "artists I don't think people would expect us to cover," according to member Shawn Stockman. On October 23, 2009, "I Can't Make You Love Me" was announced as Love's lead-single. The song was later released on October 27, 2009 through iTunes store. For the band members, "We wanted to stay true to our roots, and it's a very beautiful song. And with our sound, we gave it an R&B twist. It's always been a favorite of ours, and we hope people will fall in love with it again."
After the positive response of the iTunes Festival performance, Adele covered once again the track, during her first live album, Live at the Royal Albert Hall, recorded on 22 September 2011. She made further comment over the song, saying, "It blows me away" and further adding that she thought the song was "incredibly moving". Adele also commented on the emotions the song gives her, saying, "It makes me really, really happy and really, really devastated and depressed at the same time. It makes me think of my fondest and best times in my life, and it makes me think of the worst as well, and combined, probably is a recipe for disaster, but I do love this song. It's just fucking stunning."
While reviewing her Live at the Royal Albert Hall DVD, critics lauded Adele's rendition. Andy Gill of The Independent called it an "impassioned version," while Alex Young of Consequence of Sound named it "heartfelt and stunning." Kit O'Toole of Blogcritics praised her rendition, writing that it "retains its heart-wrenching, devastating mood thanks to Adele's multi-layered voice. Hearing her perform this song, one would imagine her as an older woman who has survived lifelong heartaches instead of a 23-year-old." Maria Schurr of PopMatters lauded the covers (Raitt's "I Can't Make You Love Me" and Bob Dylan's "Make You Feel My Love") on the live album, naming "the most successful," writing that "both seem deeply heartfelt, like Adele understands, and is the only one who can make these words that are not hers ring true." Chris Willman of The Wrap called it "a classic of unrequited love that you'd have to swear she wrote if Bonnie Raitt hadn't turned it into the ultimate female weepie back when Adele was 2."
An accompanying music video was filmed in Los Angeles in February 2014. It was conceptualised and directed by duo Jeff Nicholas and Jonathan Craven of The Uprising Creative. Actor Milo Ventimiglia plays Chopra's love interest and scenes include Chopra throwing coloured paint at Ventimiglia as part of celebrations for the Indian festival of Holi, as well as embraces between the couple and solo scenes with Chopra. According to NDTV, the video charts a fictional relationship that "goes from loving to hellish". Behind the scenes footage was released to Access Hollywood. It premiered in New York City on 30 April 2014. Gensler noted that the video also contained product placement for Nokia and Beats by Dre speakers.
Adele is the patron saint of powerhouse ballads, and "Someone Like You" ranks up there with her very best. Adele's voice can soar on top of a 30-piece orchestra, but here she's accompanied by a simple piano part as she addresses an ex who has moved on and found new love.
The intra-band romantic drama that fueled Fleetwood Mac's historic Rumors record is well documented, but even before its 1977 release, they were penning love songs that stuck to your ribs. One such track was "Landslide," a gorgeous, lilting showcase for singer Stevie Nicks about how love, in all its forms, never stays static.
The title track of Lizzo's breakout album sees the multitalented musician indulging her inner diva. From the opening line, she's belting as powerfully as she ever has, channeling the spirit of Aretha and Whitney. Much of Lizzo's music explores her own sense of self-worth and independence, but on "Cuz I Love You" she opens up about what she'll do for love.
Rihanna's 2016 opus ANTI smartly stripped away much of the gloss and glitz of pop superstardom, giving her more room to emote as a vocalist. That produced several powerful tracks ("Higher," "Love on the Brain," "Needed Me"), as well as "Close to You," a moving piano song about a relationship crumbling in slow motion that plays like a sequel to 2012's "Stay."
Sam Smith has written plenty of songs about the bluer side of romance, but their hit single "Stay With Me" goes to a different place. The track is somewhere between booze-fueled longing and sober honesty. Smith knows that the connection they share with the song's subject is nothing like true love, but still a favorable alternative to isolation.
With the help of producer Salaam Remi, Amy Winehouse made "Tears Dry on Their Own," a modern spin on the long lineage of Motown's sad love songs. It even flips Marvin Gaye and Tami Terrell's "Ain't No Mountain High Enough."
The track is vintage Cash. It's a masterclass in storytelling, as he stumbles upon a dying man by the railroad tracks who, in his final moments, tells Cash to go see his beloved Rose and their son. He even expresses that he wants his wife to find a new person to love.
There are approximately 1 million covers of Bon Iver's "Skinny Love," but none of them hit your gut quite like the original (Birdy's piano-powered take comes closest). The song, which helped turn Bon Iver into an indie phenomenon, is minimalist in its presentation, but cinematic in emotional scope. Throughout, Vernon's voice croaks and breaks, as if he's struggling to get the words out.
"You're in a relationship because you need help, but that's not necessarily why you should be in a relationship. And that's skinny. It doesn't have weight," Bon Iver's Justin Vernon told Pitchfork about the song. "Skinny love doesn't have a chance because it's not nourished.
Beyoncé set aside the delicate love songs with "Irreplaceable," a chart-topping ode to knowing your worth and not letting anyone try to lower it. The song plays as a prelude to some of her meatier work on Beyoncé and Lemonade, and sees her sending an unfaithful former flame out the door expeditiously.
Few A-listers are as good at lost love ballads as Bruno Mars, who has topped charts and made eyes water with songs like "Talking to the Moon," "It Will Rain," and "When I Was Your Man." The latter is perhaps the best of the lot, inspired by '70s piano ballads like The Commodores' "Still," and featuring one of Mars' most searing hooks.
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